Orson Welles: Faux or Foe?

Recently Frederick Offrein has been pondering whether Orson Welles represents Faux Kino or Foe Kino. In the process Frederick Offrein has concluded that portions of Orson Welles career could have been representative of either movement.

Faux Kino is confrontational in spirit and approach while seeking to undermine Foe Kino. Orson Welles, an arrogant and mindful man, initially took the world by storm when working over the radio waves. The War of the Worlds had cemented him as a worthwhile contributor to culture and thus afforded him the opportunity to deploy a cinematic attack on another arrogant and mindful man, William Randolph Hearst. Each man was looking to undermine the other, as well as their contribution to society, and thus created a tension between productive forces that ultimately made for a greater product and deeper more informed meaning. This battle took place in multiple mediums and ultimately further solidified each other as greats.

Frederick Offrein believes that Orson Welles represented the Faux Kino spirit with his attacks towards Hearst. However, Frederick Offrein remembered that his entire paradigm was founded on The Russian Terminator and collapsed in the back lot of the Speak Easy while getting a blow job from a 15 year old Swedish Boy. The boy sucked off Frederick Offrein so hard that his only thought was the contension between Welles and Hearst, the respective left and right testical within his scrotum. Offrein realized that Faux Kino is completely absurd and didn't need to illustrate anything at all and tried to suck his balls into his stomach as to not ink semen on the boy's face. In the process Frederick Offrein passed out and was carried off in a hearse to Stockholm.